Janice Meredith: A Story of the American Revolution — Context and Discussion

(0 User reviews)   737
Ford, Paul Leicester, 1865-1902 Project Gutenberg 2004 Not confirmed
United States -- History -- Revolution, 1775-1783 -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 191,560
Reading time 833 min
Text sections 67

The source record for Janice Meredith: A Story of the American Revolution — Context and Discussion measures this digital text at 191,560 words, 13 hr 53 min estimated reading time, and 67 detected text sections.

The text analysis averages about 19.3 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “United States -- History -- Revolution, 1775-1783 -- Fiction,” connecting these edition facts with the source record’s subject description.

A detailed historical novel set during the American Revolution, following Janice Meredith's personal conflicts amid war. The excerpt reveals tensions between parental authority and individual desire, with precise period dialogue and a clandestine encounter that hints at romantic intrigue.
Share
Editorial Edition Score 4.9/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Neptune was propitious, and with gentle breezes wafted him toward his haven of bliss, toward Amaryllis. Alas, when but one day from happiness, a Moorish zebec--"

"Janice!" called a voice.

The effect on the reader and her listener, both of whom were sitting on the floor, was instantaneous. Each started and sat rigidly intent for a moment; then, as the sound of approaching footsteps became audible, one girl hastily slipped a little volume under the counterpane of the bed, while the other sprang to her feet, and in a hurried, flustered way pretended to be getting something out of a tall wardrobe.

Before the one who hid the book had time to rise, a woman of fifty entered the room, and after a glance, cried--

"Janice Meredith! How often have I told thee that it is ungenteel for a female to repose on the floor?"

"Very often, mommy," said Janice, rising meekly, meantime casting a quick glance at the bed, to see how far its smoothness had been disturbed.

"And still thee continues such unbecoming and vastly indelicate behaviour."

"Oh, mommy, but it is so nice!" cried the girl. "Did n't you like to sit on the floor when you were fifteen?"

"Janice, thou 't more careless every day in bed-making," ejaculated Mrs. Meredith, making a sudden dive toward the bed, as if she desired to escape the question. She smoothed the gay patchwork quilt, seemed to feel something underneath, and the next moment pulled out the hidden volume, which was bound, as the bookseller's advertisements phrased it, in "half calf, neat, marbled sides." One stern glance she gave the two red-faced culprits, and, opening the book, read out in a voice that was in itself an impeachment, "The Adventures of Alonzo and Amaryllis!"

There was an instant's silence, full of omen to the culprits, and then Mrs. Meredith's wrath found vent.

"Janice Meredith!" she cried. "On a Sabbath morning, when thee shouldst be setting thy thoughts in a fit order for church! And thou, Tabitha Drinker!"

"It 's all my fault, Mrs. Meredith," hurriedly asserted Tabitha. "I brought the book with me from Trenton, and 't was I suggested that we go on reading this morning."

"Six hours of spinet practice thou shalt have to-morrow, miss," announced Mrs. Meredith to her daughter, "and this afternoon thou shalt say over the whole catechism. As for thee, Tabitha, I shall feel it my duty to write thy father of his daughter's conduct. Now hurry and make ready for church." And Mrs. Meredith started to leave the room.

"Oh, mommy," cried Janice, springing forward and laying a detaining hand on her mother's arm in an imploring manner, "punish me as much as you please,--I know 't was very, very wicked,--but don't take the book away! He and Amaryllis were just--"

"Not another sight shalt thou have of it, miss. My daughter reading novels, indeed!" and Mrs. Meredith departed, holding the evil book gingerly between her fingers, much as one might carry something that was liable to soil one's hands.

The two girls looked at each other, Tabitha with a woebegone expression, and Janice with an odd one, which might mean many things. The flushed cheeks were perhaps due to guilt, but the tightly clinched little fists were certainly due to anger, and, noting these two only, one would have safely affirmed that Janice Meredith, meekly as she had taken her mother's scolding, had a quick and hot temper. But the eyes were fairly starry with some emotion, certainly not anger, and though the lips were pressed tightly together, the feeling that had set them so rigidly was but a passing one, for suddenly the corners twitched, the straight lines bent into curves, and flinging herself upon the tall four-poster bedstead, Miss Meredith laughed as only fifteen can laugh.

"Oh, Tibbie, Tibbie," she presently managed to articulate, "if you look like that I shall die," and as the god of Momus once more seized her, she dragged the quilt into a rumpled pile, and buried her face in it, as if indeed attempting to suffocate herself.

"But, Janice, to think that we shall never know how it ended! I could n't sleep last night for hours, because I was so afraid that Amaryllis would n't have the opportunity to vindicate herself to--and 't would have been finished in another day."

"And a proper punishment for naughty Tibbie Drinker it is," declared Miss Meredith, sitting up and assuming a judicially severe manner. "What do you mean, miss, by tempting good little Janice Meredith into reading a wicked romance on Sunday?"

The excerpt from Paul Leicester Ford's Janice Meredith: A Story of the American Revolution opens with a tense family scene in which Janice is pressured into an arranged marriage with a British officer, Philemon. Her silent tears and dutiful compliance contrast sharply with her earlier rebelliousness, as noted by her father's expectation of a different reaction. The dialogue captures the period's formal speech patterns—'thou,' 'dadda,' 'mommy'—and the mother's sharp retort about Janice's 'misbehaviour' reveals a generational conflict over obedience.

Later, a sudden intrusion by a cloaked man named Brereton in the kitchen introduces an element of stealth and secrecy. The narrative notes that his touch is both firm and caressing, suggesting a prior relationship. This juxtaposition of public duty and private emotion, set against the backdrop of British occupation, establishes a pattern of personal dilemmas intersecting with revolutionary politics.

Parental Authority and Filial Resistance

The excerpt centers on a forced betrothal, where Janice's father, Squire Meredith, expects a kiss to seal her obedience. Instead, she bursts into tears, a 'contrary behaviour' that disarms him. Her mother, Mrs. Meredith, invokes her own past disobedience—'a giddy, perverse child I was'—to justify her insistence on Janice's compliance. This mirroring of mother and daughter highlights a cycle of rebellion and regret. Janice's final assent, 'I'll do as you and mommy tell me,' is delivered through sobs, undercutting any sense of resolution. The scene uses precise gestures—a kiss, a hug, tears—to dramatize the power struggle within a colonial household.

Period Dialogue and Social Codes

The dialogue is rich with period-appropriate language: 'bespeaks ye,' 'hearn,' 'anent,' and 'I' faith.' These terms ground the story in the 18th century without becoming archaic. Social rituals are emphasized, such as the ladies rising to leave after a glass of punch, and the mention of 'casing of colours and muffling of drums' for a funeral. Sir Frederick Mobray's jest about Janice's gloom being mistaken for a funeral underscores the tension between public cheer and private sorrow. The characters' speech reveals their social positions: Philemon's eagerness to announce his success to his regiment contrasts with Janice's silence, which his fellow officers notice and mock.

Intrusion and Secrecy

The kitchen encounter with Brereton is a sudden shift from domestic pressure to clandestine romance. Janice is intercepted by a maid, then startled by a man 'from behind the chimney breast.' His hand on her lips prevents a scream, yet the narrative notes 'an element of caress in their touch.' Brereton's words—'I seem doomed to fright you, Miss Meredith'—imply a history of such meetings. This scene introduces a pattern of stealth and hidden communication, set against the larger backdrop of espionage and military movements. The chapter titles in the table of contents, such as 'Spies and Counter-Spies' and 'A Cartel of Exchange,' suggest that such covert interactions will recur throughout the novel.

Readers should attend to how Ford uses domestic settings—kitchens, parlors, wedding plans—as stages for larger political conflicts. The tension between Janice's private feelings and public expectations mirrors the colonial struggle between loyalty and rebellion. The excerpt's focus on a single, emotionally charged scene offers a microcosm of the novel's method: personal relationships are never merely personal, but are entangled with the war's demands.

That gray afternoon, Janice Meredith left me tangled in old questions—how much do we owe our parents, our duty, our own restless hearts? The rain kept company with her quiet rebellion. Later, idly, I found Married Life; Its Shadows and Sunshine — Key Ideas to Explore, and something eased. Another century, same shadows. I simply sat with both, letting the damp light settle.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What did you think of this book?

Answer a few questions and save a private reflection on this device.

Your progress 0 / 10
1

Have you finished this book?

2

How much did you enjoy the reading experience?

3

Would you recommend this book to another reader?

4

What was the reading difficulty like?

Related eBooks