I will repay — Inside the Classic
Edition facts
For I will repay — Inside the Classic, the stored edition analysis reports 67,458 words, 4 hr 54 min estimated reading time, and 6 detected text sections.
The text analysis averages about 19.0 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “France -- History -- Revolution, 1789-1799 -- Fiction,” connecting these edition facts with the source record’s subject description.
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- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
ys were rich and the little Vicomte very young, and just now the brightly-plumaged hawk was busy plucking the latest pigeon, newly arrived from its ancestral cote.
The boy was still in the initial stage of his infatuation. To him Adèle was a paragon of all the virtues, and he would have done battle on her behalf against the entire aristocracy of France, in a vain endeavour to justify his own exalted opinion of one of the most dissolute women of the epoch. He was a first-rate swordsman too, and his friends had already learned that it was best to avoid all allusions to Adèle's beauty and weaknesses.
But Déroulède was a noted blunderer. He was little versed in the manners and tones of that high society in which, somehow, he still seemed an intruder. But for his great wealth, no doubt, he never would have been admitted within the intimate circle of aristocratic France. His ancestry was somewhat doubtful and his coat-of-arms unadorned with quarterings.
But little was known of his family or the origin of its wealth; it was only known that his father had suddenly become the late King's dearest friend, and commonly surmised that Déroulède gold had on more than one occasion filled the emptied coffers of the First Gentleman of France.
Déroulède had not sought the present quarrel. He had merely blundered in that clumsy way of his, which was no doubt a part of the inheritance bequeathed to him by his bourgeois ancestry.
He knew nothing of the little Vicomte's private affairs, still less of his relationship with Adèle, but he knew enough of the world and enough of Paris to be acquainted with the lady's reputation. He hated at all times to speak of women. He was not what in those days would be termed a ladies' man, and was even somewhat unpopular with the sex. But in this instance the conversation had drifted in that direction, and when Adèle's name was mentioned, every one became silent, save the little Vicomte, who waxed enthusiastic.
A shrug of the shoulders on Déroulède's part had aroused the boy's ire, then a few casual words, and, without further warning, the insult had been hurled and the cards thrown in the older man's face.
Déroulède did not move from his seat. He sat erect and placid, one knee crossed over the other, his serious, rather swarthy face perhaps a shade paler than usual: otherwise it seemed as if the insult had never reached his ears, or the cards struck his cheek.
He had perceived his blunder, just twenty seconds too late. Now he was sorry for the boy and angered with himself, but it was too late to draw back. To avoid a conflict he would at this moment have sacrificed half his fortune, but not one particle of his dignity.
He knew and respected the old Duc de Marny, a feeble old man now, almost a dotard whose hitherto spotless _blason_, the young Vicomte, his son, was doing his best to besmirch.
When the boy fell forward, blind and drunk with rage, Déroulède leant towards him automatically, quite kindly, and helped him to his feet. He would have asked the lad's pardon for his own thoughtlessness, had that been possible: but the stilted code of so-called honour forbade so logical a proceeding. It would have done no good, and could but imperil his own reputation without averting the traditional sequel.
The panelled walls of the celebrated gaming saloon had often witnessed scenes such as this. All those present acted by routine. The etiquette of duelling prescribed certain formalities, and these were strictly but rapidly adhered to.
The young Vicomte was quickly surrounded by a close circle of friends. His great name, his wealth, his father's influence, had opened for him every door in Versailles and Paris. At this moment he might have had an army of seconds to support him in the coming conflict.
Déroulède for a while was left alone near the card table, where the unsnuffed candles began smouldering in their sockets. He had risen to his feet, somewhat bewildered at the rapid turn of events. His dark, restless eyes wandered for a moment round the room, as if in quick search for a friend.
But where the Vicomte was at home by right, Déroulède had only been admitted by reason of his wealth. His acquaintances and sycophants were many, but his friends very few.
The novel opens not with revolutionary turmoil but with a private quarrel over a woman's reputation. The word 'Coward!' rings out three times, hurled by a young vicomte at Déroulède, a wealthy outsider whose 'ancestry was somewhat doubtful.' The scene is set in 1783 Paris, six years before the Revolution, and the conflict is fueled by social resentment and romantic infatuation, not politics. Orczy establishes a pattern of personal honor and humiliation that will drive the plot.
Later excerpts shift to a domestic interior during the Terror. The heroine Juliette, hiding under a false identity, is nearly exposed when a crippled girl named Anne Mie brings a paper from the spy Merlin. The tension is intimate: a love confession interrupted by a knock, a search of cupboards, and a piece of paper that could seal a fate. The Revolution is a backdrop for a story of oath, crime, and romance.
A Duel of Words and Class
The prologue introduces a confrontation that is both personal and social. The young Vicomte de Marny defends Adèle de Montchéri, a 'notorious beauty' and 'veritable tower of greed and egotism,' against Déroulède's disrespect. The quarrel is described as the 'only possible ending' to such an insult, and the narrative notes that Déroulède is a 'noted blunderer' in high society, his wealth compensating for a 'doubtful' ancestry. The language is sharp: 'the brightly-plumaged hawk was busy plucking the latest pigeon.' Orczy uses the duel to establish Déroulède as an outsider and to foreshadow the theme of repayment—the title 'I Will Repay' echoes the vicomte's vow.
The Weight of a Paper
In Chapter XV, the Revolution intrudes into a private room. Anne Mie, described as 'poor, crippled' and 'trembling,' brings a piece of paper from Citizen Merlin. The scene is built around the paper's significance: Juliette turns 'to stone,' and Déroulède repeatedly asks 'What is that paper?' The text emphasizes the power of a single document to destroy lives. Merlin is 'like a beast infuriated with his disappointment,' and the search of cupboards and dishes suggests the mundane terror of revolutionary surveillance. Orczy contrasts the lovers' romantic dream—'the world of romance—that world more wonderful than any heaven'—with the harsh reality of detection.
Romance as Escape and Trap
The excerpts show Orczy weaving two registers: the passionate, almost melodramatic love language and the clipped, tense dialogue of suspicion. Déroulède and Juliette are described as 'alone these two in the mad and beautiful world' of romance, yet the door opens and reality rushes back. The narrative voice shifts from lyrical ('Who shall tell what he whispered?') to urgent ('In a moment reality had come rushing back upon him with full force'). This juxtaposition is a structural pattern: the story alternates between private idyll and public threat. The catalog subject 'Science Fiction & Utopias' is misleading; the novel is a historical romance with Gothic elements, not speculative fiction.
Readers should attend to how Orczy uses objects—a card, a paper, a door—to trigger plot turns. The excerpts suggest that the novel's engine is not the Revolution itself but the characters' personal debts and secrets. The title's promise of repayment may be fulfilled in ways that are emotional rather than political. Note also the role of Anne Mie: her physical frailty and moral agency make her a pivotal figure, not merely a servant. The story rewards attention to its small, charged details.
Years at the desk have taught me that vengeance, as Orczy writes it, rarely sleeps—it limps, it waits, it folds itself into a paper scrap. I recall The Son of My Friend — Background and Themes whispering the same truth: how the quietest homes shelter the sharpest debts. One trembles, the other leans forward. A shared breath, perhaps.
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